So you want to be a travel/adventure/outdoor photographer?

September 6, 2008 | 2 Comments

People tell me all the time, “I want to travel the world taking pictures, where do I start?”. I’m not going to tell you how to make great moving or still imagery in this post, but I will give you some tips on the business end of things. Taking photos is the easy part, getting someone to pay you for that requires a significant amount of dedication and hard work.

Here is my shortlist of resources for aspiring shooters.

Get yourself a copy of the American Society of Media Photographers, ASMP Professional Business Practices in Photography, book. If you want to get paid for your work you better learn the language.

The Travel and Outdoor Photographers Alliance is an organization of working photographers discussing the business issues of the profession. Their site has an abundance of info.

Nick Nichols is a long time National Geographic photographer and he has some thoughtful things to say on his site about making it in this business. He poses the question, “Do you want to be a traveling adventurer, or do you want to be a photographer? They’re not the same thing.” in his post on becoming an adventure photographer.

Thinking of submitting your images to a stock photo agency? Photoshelter put out a nice summary of what they are looking for in a travel image and in my opinion their advice applies pretty well across the board to other agencies as well.

Check the Editorial Photographers (EP) site for in depth advice on starting out, the EP Estimator tool with pricing tips for the publishing industry, and a FAQ section that should answer most of your questions.  EP is a non-profit organization dedicated to improving the health and profitability of editorial photography.

Popularity: 10% [?]

Saved by a CD

September 14, 2006 | Leave a Comment

We’ve all been there… working on a document, computer crashes, document gone. No backup. Not so bad if it was just a ½-page, but really bad if it was your 300-page graduate thesis. What about loosing 10-years of family photographs?? Now that would really, really suck. Being a professional digital photographer these days means having a skill set that goes way beyond creating a great image. Of course there is the business side of photography, but what I’m talking about is the technical computer side that is now wrapped into the photo business. There is probably some ratio of how much time I spend on my digital workflow compared to each image I make, but I’ll just say it’s a lot. And it’s a bit tiresome; I mean I’d rather be shooting than doing daily backups. I’ve been shooting digital since 1998 and my backup methods have changed with technology.

First it was CDs, then external hard drives, then DVDs. But as everyone knows burning CD’s and DVDs takes time and is viewed as a hassle. I wanted a completely automated, real-time, backup system. So about 2-years ago, after much research, I installed a RAID system on my desktop. A RAID stands for Redundant Array of Independent Disks. I purchased 4, 250-gig hard drives. Two of the drives (500-gigs) would be one volume, and the other two would be the backup (this is known as mirroring). All 4 drives were “mapped” together so it appeared as one giant volume. In addition for speed, the data was split evenly across all the drives. Every time I placed an image on the main volume, the RAID system would automatically copy that file onto the backup/hidden volume in real time. If one of the 4 drives failed all I would do is get a new one, pop it in, and the volume would rebuild itself with no loss of data. This has been great. No more time consuming backups to other types of media. I was loving life…. until last week…

“Hi Didrik, yeah, uh, this is Marcus calling with the damage report.” Marcus is a computer technician at my local computer store. I had taken my desktop in for two reasons, (1) I had maxed the storage out on my RAID and needed more space and (2) one of the drives had failed. The request to Marcus was simple. Install 4, new 500-gig hard drives, RAID them together, and copy the data from the old drives to the new drives. After dropping the computer off, my last words were, “Oh yeah, just FYI, my life’s work is on this machine.” Two days later, a surprising damage report came in from Marcus. For some reason the entire purpose of the RAID system (which was automated data redundancy) had failed along with the one bad disk. Needless to say my stress level is through the friggin’ roof. It’s 8:41am in the morning as I write this and so far Marcus has recovered 50% of the data.

In a panic yesterday I remembered all the CD and DVDs I used to back up on. They were in a box in my basement. While I didn’t back up everything I did backup the most valuable images which will continue to sell as stock for years to come. If I lose all the data I will be able to personally recover about 70%, but really the last 2-years of shooting will be lost. Some of my data backups on CD was luck in a way. I only did that because I was in the field with my laptop and making daily backups on CD. This was before everyone had a 300-gig portable external hard drive. What’s the lesson here?? A single electronic backup is not enough; always do a third backup on some type of permanent media like a CD or DVD.

Popularity: 15% [?]

A New Portfolio Method

August 1, 2006 | Leave a Comment

How many times have I met a potential client and done the usual; trade business cards and then follow-up when I get a chance; directing them to my website or even FedEx’ing them my expensive leather bound portfolio. I’ve always wished there was a way I could show them something right then and there, not only to gauge their interest level but also get them excited about my work. My latest portfolio technique comes close to accomplishing this. I’ve been a devoted Treo user for a number of years now, but it wasn’t until I got a 1-gig Lexar SD card that I realized the portfolio possibilities. Beyond just throwing a bunch of images on there I put behind the scenes videos of my more extreme shoots. It’s been a total hit and when I follow up with a potential client they always remember me as the guy with the cell phone video of himself dangling from a helicopter over the Alps. Oh yeah, and with some extra 1 and 2-gig SD cards I loaded up a bunch of music on them and voila, I have an mp3 player as well.

Popularity: 11% [?]

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      Didrik was action camera for an adventure travel show in New Zealand. After 6 months in post production the hour long show should start airing soon on your local PBS station. Adventures With Purpose TV (website)